2019
The Landing Strip, Artist Book, Hayward Gallery Publishing, London, 2019.
Polonsky, Naomi, ‘Kader Attia’s Work Holds a Mirror to the World’s Injustice’, www.hyperallergic.com
Dagen, Philippe, ‘Exposition à Londres, l’insatiable curiosité de Kader Attia. La Hayward Gallery présente l’oeuvre de l’artiste, qui se nourrit des faits politiques’, Le Monde, 14.02.2019
Khan, Tabish, ‘Kader Attia at The Hayward Gallery’, https://londonist.com/london/art-and-photography/politics-and-photography-a-diverse-double-bill-at-hayward-gallery
Vergès, Françoise, ‘Fire, Anger and Humiliation in the Museum’, in: Kader Attia. The Museum Of Emotion, exh. cat., Hayward Gallery Publishing, London, 2019, p.86-87.
Zapperi, Giovanna, ‘The Ambivalent Power of Emotions’, in: Kader Attia. The Museum Of Emotion, exh. cat., Hayward Gallery Publishing, London, 2019, p.60-63.
Frodon, Jean-Michel, ‘Reflecting Memory’: In the Hollowness of the Future in: Kader Attia. The Museum Of Emotion, exh. cat., Hayward Gallery Publishing, London, 2019, p.94-95.
Nayeri, Farah, ’Seeing colonialsim’s legacy in museums’, The New York Times International Edition, Fiday March 1, 2019; and ‘We need to talk about Colonialism, French-Algerian artist says’, www.thenewyorktimes.com, 25 Feb 2019.
Ure-Smith, Jane, ‘How Kader Attia demonstrates the radical healing ower of art’, Frieze.com, 22 Feb 2019; https://frieze.com/article/how-kader-attia-demonstrates-radical-healing-power-art.
Chazan, Guy, ‘The Stranger’, Financial Times Magazine, January 26/27 2019, p. 32-37.
Kader Attia. The Museum Of Emotion, exh. cat., Hayward Gallery Publishing, London, 2019.
2018
d’Arenberg Parmanand, Diana, ‘Kader Attia at Lehmann Maupin Hong Kong’, Artomity No. 11, Winter 2018/18, p. 120 – 123.
Aubel, Damien, ‘Art thérapie’, Transfuge, N°199, mai 2018, p. 94-97.
Aurelle, Cédric, ‘Kader Attia revient sur ses racines’, Le Journal des Arts, N°501, mai 2018, p. 22.
Bloch, Géraldine, ‘Kader Attia, avanies er prophylaxies’, Art Absolument, N°82, mars 2018, p; 92-97.
Bloch, Scarlet, ‘La réminiscence des membres fantômes’, l’Humanité N°22491, 14 août 2019, p. 16.
Kader Attia/Yamina Benaï (interview), ‘Il faut laisser Mai -68 là où il est’, l’Officiel N°25, 1 mars 2018, P. 92-97.
Lequeux, Emmannuelle, ‘Kader Attia revient sur les terre de l’enfance’, Le Monde N°22881 5 août 2018, p.14.
Kader Attia/Ingrid Luquet-Gad (interview): ‘Je suis une sorte d’activiste’, Les inrockuptibles N°1173, mai 2018, p. 54-56.
Mercier, Clémentine, ‘Plaies et boss’, Libération N°11485, 2 mai 2018, p. 30.
Benoit, Guillaume, ‘Kader Attia – MacVal, Vitry-sur-Seine’, Slash.fr, 9 mai 2018.
Kader Attia/Yasmine Youssi (interview): ‘Kader Attia’, Télérama, N°3561, avril 2018, p. 3-8.
Dauly, Florence, ‘Kader Attia, l’artiste qui voulait réparer le monde’, Télérama.fr, février 2018.
Rachet, Olivier, ‘Ces espaces que nous habitons’, Diptyk N°44, Juin-Septembre 2018, p. 40-41.
Miadi, Fatma, ‘Kader Attia. L’art de repanser l’histoire’, Le courrier de l’Atlas N°127, juillet 2018, p.64-65.
Kleiber, Marie-Anne, ‘A la découverte de l’art d’aujourd’hui’, Le journal du dimanche, 27 mai 2018, p. 2.
Millerand, Camille, ‘La Colonie’, Jeune Afrique, n° 3016-3017, 28 octobre – 10 novembre 2018.
Belly, Marianne, ‘Kader Attia. Des racines dand le béton’, Grand Paris Dévelop N°25, juillet 2018, p. 50-51.
Small, Zachary, ‘Healing History’s Scars in the Art of Kader Attia’, Hyperallergic, 29 Sept 2018 https://hyperallergic.com/450597/kader-attia-scars-remind-us-that-our-past-is-real/.
Zapperi, Giovanna, ‘Kader Attia. Voices of Resistance’, Afterall 46, Autumn/Winter 2018, p.116-125.
Gregory, Hannah:, ‘Time Torn’, Afterall 46, Autumn/Winter 2018, p.226-137.
Pack, Aaron, ‘Kader Attia, MacVal, Vitry-sur-Seine, France’, Frieze, September 2018, p. 187.
McGee, C.C., ‘Kader Attia’, Artforum Vol. 57, No. 1; September 2018, p. 303.
Blind Faith. Between the Visceral and the Cognitive in Contemporary Art, exh. cat., ed. Anna Schneider, Haus der Kunst, Munich, 2108.
Kader Attia. Les racines poussent aussi dans le béton, exh. cat., éd. MACVAL Muséé d’art contemporain du Val-de Marne, 2018.
‘Kader Attia, Les racines poussent aussi dans le béton’, entretien avec Marianne Belly, Grand Palais Développement, été Juillet 2018, no. 25, p. 50-51.
‘Kader Attia, avanies et prophylaxies’, entretien avec Géraldine Bloch, art absolument mars/avril 2018, no. 22, p. 92-97.
‘Kader Attia’, entretien avec Yasmine Youssi, Télérama N° 3561, p. 3-4.
Nuit Banai, ‘Kader Attia: The Field of Emotion’, Artforum, Vol. 56; No. 5, January 2018, p. 81.
‘Kader Attia. L’art doit se réapproprier le champ de l’émotion“, Journal des Arts N° 497, Mars 2018, p. 26-27.
‘Il faut laisser le May -68 là où it est’, L’Officiel Art N° 25, 1 mars 2018, P. 92-97.
‘Kader Attia: Donner la parole à ceux qui l’on n’entend pas’, https://www.lofficiel.com/art/kader-attia-macval-palais-de-tokyo.
‘Kader Attia: Reason’s Oxymorons’, exh. cat. Hood Museum of Art, Dartmouth College, 2018.
2017
How to live together, exh. cat.; Kunsthalle Wien, Wien 2017.
Il cacciatore binaco / The White Hunter, exh. cat.; eds. Marco Scotini and Elisabetta Galasso, FM Cente for Conteporary Art, Milan, 2017.
Beautiful Stranger, exh. cat., Museum De Wieger, Deurne, 2017.
Seht, da ist der Mensch, exh. cat., ed. Annegret Laabs, Kunstmuseum Kloster Unser Lieben Frauen, Madgeburg, 2017.
Beate Scheder, ‘Kader Attia. Die Narben der Geschichte zeigen.’, spex Magazin für Popkultur No. 376, September/Oktober2017, p. 72-77.
Kader Attia: ‘Repair, Architecture and The Body Repaired‘. No To The Invasion: breakdown and Side Effects, exh. cat., ed. Fawz Kabra, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, 2017.
Marion von Osten, Once We Were Artists. Ed. Tom Holert, Maria Hlavajova, BAK basis voor actuele kunst, Utrcht, 2017.
No To The Invasion: Breakdown and Side Effects, exh. cat., ed. Fawz Kabra, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, 2017.
Christian Gattinoni, ‘Kader Attia et les anges de la réparation‘, www.lacritique.org, 1 August 2017
Kostas Prapoglou, ‘Dispossession‘, Third Text Online, www.thirdtext.org, 1 August 2017
Nicholas Forrest, ‘Kader Attia’s Artifies Injuries and Repairs at MCA Sydney‘, Blouin Artinfo, www.blouinartinfo.com, 13 July 2017
High Tension. 8 Winners of the Marcel Duchamp Prize, exh. cat., ed. Alfred Pacquement, Times Museum, Guangzhou 2017
Haute Tension. 8 Lauréats du Prix Marcel Duchamp, exh. cat., ed. Alfred Pacquement, Red Brick Art Museum, Beijing, 2017
Kader Attia, exh. cat., ed. Rachel Kent, Museum of Contemporary Art, Sydney, 2017.
“Kader Attia at S.M.A.K.”, www.artviewer.org, 3 June 2017.
Chiara Marin, ‘Waiting fort he 57th Biennial‘, art.es international contemporary art No.72/2017, p.42-46.
Emmanuel Balgoun, ‘Kader Attia. Between Dakar, Algeria and La Colonie in Paris‘, True Africa, 29 March 2017.
Eve Campestrini, ‘La Colonie, Kader Attia’s Agora‘, www.thesocialitefamily.com, 24 March 2017.
Scher, Robin, ‘In the Service of Repair: Kader Attia on Systems of Belief and “Reason’s Oxymorons”’, ARTnews, 24 February 2017.
Heinrich, Will, ‘What to See in New York Art Galleries This Week’, The New York Times, 24 February 2017, p. C18.
Fateman, Johanna, ‘Kader Attia’, The New Yorker, 20 February 2017.
Yerebakan, Osman, ‘Kader Attia: Reason’s Oxymorons’, Brooklyn Rail, 1 February 2017.
‘Kader Attia, L’Empreinte de l’Autre‘, www.pointcontemporain.com, 30 January 2017.
Viveros-Fauné, Christian, ‘Why Artist Kader Attia Is Having an Art World Moment’, artnet, 27 January 2017.
Masters, HG, ‘Sharjah Biennial 13: Dakar’, ArtAsiaPacific, 20 January 2017.
Helmke, Juliet, ‘Contradictory Truths: Kader Attia’s Video Dialogues at Lehmann Maupin’, Blouin ArtInfo, 18 January 2017.
2016
Fremde Götter: Faszination Afrika und Ozeanien, exh. cat., Leopold Museum, Vienna 2016.
Kader Attia. Reflecting Memory, exh. cat., Galleria Continua, San Gimignano, 2016.
Prix Marcel Duchamp 2016, exh. cat., Centre Pompidou, Paris, 2016.
Kader Attia: Sacrifice and Harmony, exh. cat., eds. Susanne Gaensheimer and Klaus Görner, Museum für Moderne Kunst Frankfurt am Main, 2016.
Judah, Hettie, ‘The 50 Most Exciting Artists in Europe Right Now, Part I’, Artnet News, 23 November 2016
‘L’artiste franco-algérien Kader Attia lauréat du Prix Marcel Duchamp’, Algerie Presse Service, 19 October 2016.
‘Le prix Marcel Duchamp 2016, revient à l’artiste franco-algérien Kader Attia’, Huffington Post, 19 October 2016.
Buffenstein, Alyssa, ‘Kader Attia Nabs Marcel Duchamp Prize’, Artnet News, 19 October 2016.
Giuliani, Emmanuelle, ‘Kader Attia, lauréat du Prix Marcel-Duchamp 2016’, La Croix, 19 October, 2016.
Lavrador, Judicaël, ‘Kader Attia prend sa revanche sur le Prix Duchamp’, Next Libération, 19 October 2016.
‘Artist Kader Attia Receives France’s Marcel Duchamp Prize’, Artforum, 18 October 2016.
Azimi, Roxana. ‘Le prix Duchamp pour Kader Attia’, Le Monde, 18 October 2016.
Childs, Claudia Barbieri. ‘Kader Attia wins France’s prestigious Marcel Duchamp Prize’, The Art Newspaper, 18 October 2016.
Filali, Kenza. ‘L’obsession réparatrice de Kader Attia distinguée par le prix Marcel-Duchamp’, le Desk, 18 October 2016.
Forster, Siegfried, ‘Kader Attia, lauréat du prix Marcel Duchamp: «Le monde est fait de fantômes»’, Le Voix du Monde, 18 October, 2016.
Greenberger, Alex, ‘Kader Attia Wins The 2016 Prix Marcel Duchamp’, Art News, 18 October 2016.
Leirner, Sheila, ‘Prêmio Marcel Duchamp 2016 é atribuído a Kader Attia’, Estadão, 18 October 2016.
Harris, Gareth, ‘Sharjah Biennial looks beyond UAE with a year-long programme across five cities’, The Art Newspaper, 28 September 2016.
Jones, David H., ‘From Commonplace to Common Ground: Facial Injury in Kader Attia’s Continuum of Repair’, Journal of War & Culture Studies, vol. 10, no.1, 2017, pp. 66–81.
Ure-Smith, Jane, ‘Political art: Kader Attia at the Museum für Moderne Kunst, Frankfurt’, Financial Times, 8 July 2016.
Battaglia, Andy, ‘Exhibitions: Anxiety on show at the NY Guggenheim’s new Mena exhibition’, The National, 23 June 2016.
Belcove, Julie, ‘Shelf Life’, The New Yorker, 23 May 2016.
2015
Kader Attia. Les blessures sont là, exh. cat., ed. Nicole Schweizer, Musée cantonal des Beaux-Arts de Lausanne, 2015.
‘Die Angst vor der Angst’, Magazin BLAU, December 2015
Cat Content, exh. cat., eds. Amely Deiss, Ina Neddermeier, Kunstpalais Erlangen, 2015.
The Reluctant Narrator, exh. cat., ed. Ana Teixeira Pinto, Mudeo Coleção Berardo, Lisbon, 2015.
Chercher le garçon. Une exposition collective d’artistes hommes, exh. cat., Mac Val, Paris 2015.
Kuhn, Nicola, ‘Nach den Attentaten von Paris. Die Heilung des Unheilbaren’, Der Tagesspiegel, 20 November 2015.
‘Kader Attia – The Loop’, e-flux, 4 July 2015.
Luke, Ben, ‘Kader Attia lends gravitas to Art Basel’s Unlimited’, The Art Newspaper, 18 June 2015.
Pinto, Ana Teixeira, ‘Kader Attia’s Scarification, Self Skin’s Architecture‘, art agenda, 10 June 2015.
Wallace-Thompson, Anna, ‘Arab Spring Revisited: Kader Attia’, Canvas, vol. 11, no. 4, July/August 2015, pp. 144–145.
Gregory, Hannah, ‘Archival Impulse: an interview with Kader Attia’, Apollo, 10 April 2015.
Gat, Orit, ‘Kader Attia: Show Your Injuries’, ArtReview, January & February 2015.
2014
Repair: Kader Attia, ed. Léa Gauthier, Blackjack éditions, Paris, 2014.
Kader Attia: The Repair from Occident to Extra-Occidental cultures, ed. Axel Lapp, The Green Box, Berlin, 2014.
Kunstpreis Berlin, ed. Akademie der Künste, Berlin, 2014.
Here and Elsewhere, exh. cat., New Museum, New York, 2014.
Teoría del color / Color Theory, exh. cat., MUAC Museo universitario arte contemporáneo, Mexico, 2014.
The Crime was Almost Perfect, exh. cat., ed. Cristina Ricupero, Defne Ayas, Amira Gad, Witte de With Center for Contemporary Art, Rotterdam 2014.
Diawara, Manthia, ‘All the difference in the world: the art of Kader Attia’, Artforum, February
Pieter Vermeulen, ‘De littekens van het heden. Over Kader Attia‘, Extra FoMu Magazin No. 16, Summer 2014, p.89-94.
Hajj. Le pélégrinage à la Mecque, exh. cat., ed. Omar Saghi, Fahad Al Abdul Kareem, Istitute du Monde Arabe, Paris, 2014
Utopien vermeiden, exh. cat., ed. Werkleitz Gesellschaft e.V., Werkleitz Jubiläums Festival Halle, 2014.
Invisible Violence, exh. cat., ed. Zoran Erić, Muzei savremene umnetnosti, Belgrade 2014.
Concrete, exh. cat., Monash University Museum of Art, Melbourne, 2014.
2013
Kader Attia. Transformations, exh. cat., ed. Ellen Blumenstein, KW Institute for Contemporary Art, Berlin, 2013.
Kader Attia. Continuum of Repair: The Light of Jacob’s Ladder, exh. cat., ed. Emily Butler, Whitechapel Gallery, London, 2013.
Territori Instabili. Unstable Territory. Borders and identity in contemporary art, exh. cat., Cebtro di Cultura Conteporanea Strozzina/Fondazione Palazzo Strozzi Firenze 2013.
Museum Off Museum, exh. cat., ed. Thomas Thiel, Bielefelder Kunstverein, Bielefeld, 2013.
Suspicious Minds, exh. cat. Galeria Vermelho, ed Cristina Ricupero, São Paulo, 2013.
Hlysnan, exh, cat., ed. Berit Fischer, Casino Luxemburg – Forum d’art contemporain asbl, Luxemburg 2013.
Terma & Conditions, exh. cat., ed. Savita Apte, Singapore Art Museum, Singapore 2013.
Amado, Miguel, ‘Kader Attia’, Artforum, 23 August 2013.
Mickel, Fridey, ‘We are living in incredible times of amnesia’, Exberliner, 14 August 2013.
Fèvre, Anne-Marie, Les traversées de Kader Attia, Next Libération, 8 August 2013.
Blumenstein, Ellen, ‘Kader Attia: REPAIR. 5 ACTS’, Nafas Art Magazine, July 2013.
Lankarani, Nazanin, ‘French-Algerian artist Explores Identity and Repair’, The New York Times, 11 June 2013.
Stahl, Antje, ‘Narben der Geschichte’, Monopol, 24 June 2013.
Schmitz, Julia, ‘Zwischen Wissenschaft und Spiritualität’, Art: Das Kunstmagazin, 24 May 2013.
Burkhard, Maus, ‘Kader Attia – Reparatur und Transfer’, Art: Das Kunstmagazin, May 2013.
2012
Attia, Kader, ‘Reappropriation as Resistance’ in What is Critical Spatial Practice?, ed. Nikolaus Hirsch and Markus Miessen, Sternberg Press, Berlin, 2012.
Hajj: journey to the heart of Islam, exh. cat., ed. Venetia Porter, The British Museum, London, 2012.
Documenta (13) Catalog 3/3, exh. cat., ed. Katrin Sauerlaender, Museum Fridericianum, Kassel, 2012.
Newtopia: The state of human rights, exh. cat., eds. Elena Sorokina and Katerina Gregos, Cultuurcentrum Mechelen, 2012.
Bates, Emily,‘Performing Histories (1): Kader Attia’s Open your Eyes’, Inside/Out: A MoMA/MoMA PS1 Blog, 27 September 2012.
Gruzinski, Serge, ‘Kader Attia: The Repair’, Nafas Art Magazine, September 2012.
‘Eine Documenta zum Schauen, Staunen und Grübeln’, Zeit Online, 6 June 2012.
Corbett, Rachel, ‘Documenta 2012: Bombs Away’, artnet, June 2012.
Chauvel-Lévy, Léa, ‘Entretien – Kader Attia’, Slash, 25 May 2012.
Prince, Mark, ‘Kader Attia at Christian Nagel’, Art in America, 3 May 2012.
2011
Jackson, Amanda C., ‘(Re-)appropriations: Architecture and Modernity in the Work of Kader Attia’, Modern & Contemporary France, vol. 19, no.2, 2011, pp. 163–177.
Mercer, Kobena, ‘An interview with Kader Attia: Conceptualising Modernist Architecture in Trans- Cultural spaces’, Atlántica: Journal of Art and Thought, vol. 50, 2011, pp. 44–61.
2010
Bloch, Werner, ‘Die Revolution wird zensiert…’, Die Welt. 10 April 2010.
De leurs temps 3. Le Prix Marcel Duchamp. 10 ans de création en France, exh. cat., Paris 2010.
Gropp, Rose-Maria, ‘Ein Versprechen für die Zukunft’, Frankfurter Allgemeine, 20 March 2010.
Farrell, Laurie Ann, ‘Kader Attia’s History of a Myth: The Small Dome of the Rock’, Nafas Art Magazine, March 2010.
Volk, Gregory, ‘Kader Attia’, Art in America, 23 February 2010.
Durand, Régis, ‘Kader Attia in Conversation with Régis Durand’, Nka Journal of Contemporary African Art, Duke Univeristy Press, Durham, US, vol. 2010, no. 26, pp. 70–79.
2009
Utopie und Monument, exh. cat., ed. Sabine Breitweiser, Steirischer Herbst, Graz, 2009.
Mercer, Kobena, ‘Kader Attia. Der Mythos der Ordnung No. 1‘, Utopie und Monument, exh. cat., ed. Sabine Breitwieser, Steirischer Herbst, Graz, 2009, p. 144- 149..
Bamako Encounters, exh. cat., Biennial of African Photography, Bamako, 2009.
Kader Attia, exh. cat., ed. Regis Durand, Centro de Arte Contemporáneo Huarte, Navarra, 2009.
Integration and Resistance in the Global Era, exh. cat., 10th Havana Biennial, Havana, 2009.
Entre-temps. Une décennie d’art francais dans la collection vidéo du Musée d’Art Moderne de la Ville de Paris/ARC, exh. cat., Musée d’Art Moderne de la Ville de Paris, 2009.
10B Décima Bienal de Habana; exh. cat, Centro de Arte Contemporáneo Wifredo Lam, Consejo Nacional de las Artes Plásticas, Havana, 2009
Looking Inside Out, exh. cat., ed. Jaukkuri, Maaretta and Cristina Ricupero, Kunstnernes Hus, Oslo, 2009
La Force de l’art 02, exh. cat., Paris Triennial, Grand Palais, Paris, 2009.
Unveiled: New Art From The Middle East, exh. cat., The Saatchi Gallery, London, 2009.
Marino, Pietro, ‘Se l’arte rigenera la natura (morta)’, La Gazetta del Mezzogiorno, 29 September 2009.
PRAXIS: Art in Times of Uncertainty, exh. cat., 2nd Thessaloniki Biennale of Contemporary Art, Thessaloniki, 2009.
Trapped in Amber: Angst for a Reenacted Decade, exh. cat., eds. Basam El Baromi, Helga-Marie Nordby, Young Artist’s Society UKS, Oslo.
Lowry, Glenn: Oil and Sugar: contemporary art and Islamic culture. Eva Holtby Lecture #3, Toronto 2009.
Time out of Joint: recall and Evocation in Recent Art, exh. cat., The Kitchen, New York, 2009.
Altman, Anna, ‘Never Quite Filling the Void: Kader Attia’, Art in America, 24 September 2009.
Harris, Gareth, ‘A dance for Darwinism’, The Independent, 14 September 2009.
Mackrell, Judith, ‘A dance with Darwin’, The Guardian, 3 September 2009.
Debailleux, Henri-François, ‘La tôle éthique d’Attia’, Next Libération. 25 July 2009.
Signs Taken For Wonders, exh. cat., Jack Shainman Gallery, New York 2009.
Kader Attia, ‘Périfériks’, Eternal Tour, Festival Artistique & Scientifique, eds: Donatella Bernardi and Noémie Etienne, Neufchâtel, 2009.
2008
Stevens, Mary, ‘Kader Attia’s Arabesque: Inscribing Islam in a Provincialized Europe’, in: Re-Thinking Europe: Literature and (Trans)National Identity, eds. Nele Bemong, Mirjam Truwant and Pieter Vermeulen Brill, Amsterdam, 2008, pp. 123–138.
Sin Fronteras / Without Borders, exh. cat., 30th Pontevedra Art Biennial, 2008.
Réflechir le monde, exh. cat., Centrale for Contemporary Art, Brussels 2008.
French Connection, ed; Léa Gauthier, Montreuil 2008.
Travesía, exh. cat., Centro Atlantico de Arte Moderno, Las Palmas, Canary Islands, 2008.
Pfohl, Katie, ‘Kader Attia: Sleeping from Memory’, Bidoun, no. 14, Spring/Summer 2008.
Briegleb, Till, ‘Kunst und Islam’, Art: Das Kunstmagazin, 21 November 2008.
Wynants, Jean-Marie, ‘Des créateurs français face à la réalité’, Le Soir, 21 October 2008.
Ardenne, Paul, ‘Kader Attia’, art press, no. 348, September 2008, pp.93–94.
Rubin, Birgitta, ‘Kamouflerad konst pa Skeppsholmen’, Dagens Nyheter, 16 August 2008.
Esparza, Ramón, ‘Los otros mundos de Kader Attia’, El Cultural, 31 July 2008.
‘Kader Attia, le vide, le plein’, Le Monde: Lunettes Rouges, 3 June 2008.
Dagen, Phillipe, ‘Détournements ironiques de Kader Attia’, Le Monde, 23 May 2008.
Ackermann, Tim, ‘Das Vokabular des Vandalismus’, Tageszeitung, 1 April 2008.
Hackett, Regina, ‘Kader Attia turns fragile forms into powerful statements’, Seattle PI, 6 March 2008.
Kader Attia: Signs of Reappropriation, exh. cat., Acca Gallery of The Savannah College of Art and Design, Atlanta, 2008.
‘Kader Attia: Entre las Palabras y las Cosas. Un diálogo con Octavio Zaya / Kader Attia: Between Things and Words. An Exchange with Octavio Zaya’, art.es No. 26, 2008, p. 48-63.
La Force de l’Art 02, exh. cat., La Triennale de l’art en France, Paris 2008.
2007
Accéleration, exh. cat., ed. Arthur de Pury, Gauthier Huber, Kunstart Neufchâtel, 2007.
2006
Notre Histoire… Une scène artistique française émergente, exh. cat., ed. Nicolas Bourriaud, Jêrome Sans, Frédéric Grossi, Palais de Tokyo, Paris, 2006.
First Architecture, Art and Lanscape. Biennial of the Canaries, exh. cat., 2006.
Signes d’Existence, exh. cat., ed. Association francaise d’action artistique, CAFA Gallery, Beijing, 2006.
2005
59°54’49”N – 10°43’44”E Meeting Point, exh. cat., Stenersen Museet, ed. Samira Jamouchi and Samir M’kadmi, Oslo 2005.
Singuliers, exh. cat., ed. Thierry Raspail, Musée d’Art du Guangdong and Musée d’Art Contemporain de Lyon, 2005.
Regards des photographes arabes contemporains, exh. cat., Institut du Monde Arabe, Paris, 2005.
Expérience de la durée, cat., Biennale de Lyon, 2005.
2004
Continental Breakfast Belgrade, exh. cat., Belgrade Cultural Centre, 2004.
2003
Voyages d’artistes – Algerie 03, cat., ed. Paris Musées, Espace EDF Electra, 2003.
Fault Lines. Contemporary African Art and Shifting Landscape, exh. cat., ed. Invia Institute of Visual Arts, London, Forum for African Arts and Prince Claus Fund, London, 2003.
2002
Atelier 1997-2002, cat., Centre Nationale de la Photographie, Paris 2002.
Kader Attia. Alter Ego, exh. cat., Galerie Kamel Mennour, Paris, 2002.
